Blog — Carve Magazine | HONEST FICTION

Ree Sherwood

Talking with Rachel Marie Patterson

Talking with Rachel Marie Patterson

“Repetition also helped me depict the claustrophobia and exasperation of caring for an infant, especially when your body doesn’t do the work it is expected to.”

Talking with Dan Wiencek

Talking with Dan Wiencek

“I think of poems as a sort of dance between tension and resolution, where some images or ideas seem to raise the stakes while others provide a release or otherwise alter whatever dynamic is at play.”

Talking with Katherine Riegel

Talking with Katherine Riegel

“I think as writers, we understand and process the world through our writing, so it’s natural to write about loss.”

Talking with Beth Spencer

Talking with Beth Spencer

“I try to answer that knock, although it can be scary.”

Talking with Collin Callahan

Talking with Collin Callahan

“I also realized that my narrator is a little bit of a scumbag, which has been wonderful.”

Talking with Lucía Orellana Damacela

Talking with Lucía Orellana Damacela

“I have purposefully not listened to that song again; the moment, as it is implied in the poem itself, was gone.”

Talking with Allison Adair

Talking with Allison Adair

“Endings are tricky because the poem needs to land, but it also needs to take flight.”

Talking with Kathleen Radigan

Talking with Kathleen Radigan

“I want to pay attention to the shock and beauty of daily things because once I do, they don’t usually feel mundane.”

Talking with Monika Zobel

Talking with Monika Zobel

“To me, a line break is equally as important as the image/the sentiment that is broken apart.”

Q&A with Poetry Contributor Holly Wren Spaulding

Q&A with Poetry Contributor Holly Wren Spaulding

“For the last few years, I've been experimenting with setting type in a letterpress, which forces you to reckon with every word and piece of punctuation in a way that I've found revelatory.”

Q&A with Poetry Contributor Mat Wenzel

Q&A with Poetry Contributor Mat Wenzel

“It’s been helpful to think of each line or stanza as a switchback on a mountain or valley trail—a back-and-forth with some kind of elevation change.”