Cameron Maynard

Talking with Kabi Hartman

Talking with Kabi Hartman

“Writing ‘Eighteen Takes on Being Jewish’ has made me a bit more comfortable with being the kind of Jewish person that I am—but I still struggle with the question of belonging to a Jewish institution such a synagogue.”

Talking with Joel Coltharp

Talking with Joel Coltharp

“Strangely enough, I found not having the answers to those questions actually benefited the central narrative in the final version of the essay.”

Talking with Brittany Coppla

Talking with Brittany Coppla

“I wanted the architecture of this story to feel recursive, and I hope that ultimately the meditations in the museum are in conversation with the experiences that happened outside of the museum.”

Talking with Raksha Vasudevan

Talking with Raksha Vasudevan

“I felt in Uganda as I do in most spaces: both alien and at home, at once rooted and floating in space.”

Talking with Audrey Olivero

Talking with Audrey Olivero

“I think I actually owe teen girls and queer people coming into themselves on the early internet way more than I owe a single literary figure for getting me through this inspirationally.”

Talking with Hege A. Jakobsen Lepri

Talking with Hege A. Jakobsen Lepri

“But writing helps untangle the different threads in the web of relationships: with my family of origin, with the language and literature, with a certain way of seeing the world.”

Talking with Shoshana Surek

Talking with Shoshana Surek

“It is a sad realization that while they are uniquely theirs, the stories are not singular.”

Talking with Chloe Amos

Talking with Chloe Amos

“I wanted to take a stab at starting some dialogue over a very nuanced issue even before I have any real solutions figured out.”

Talking with Jacob Aiello

Talking with Jacob Aiello

“It was only after I was able to look at this story as if it was about a fictional character that I think I made the connections and patterns that brought it to life.”

Talking with Shauna Laurel Jones

Talking with Shauna Laurel Jones

“I’m interested in cultural and aesthetic dimensions of human relationships with other animals, so naturally this “puffin problem” was a topic that spoke to me.”

Q&A with Nonfiction Contributor E.E. Hussey

Q&A with Nonfiction Contributor E.E. Hussey

“Science writing taught me the value of concise and succinct writing. It comes in handy when I’m drafting fiction.”

Q&A with Nonfiction Contributor Brandi Bradley

Q&A with Nonfiction Contributor Brandi Bradley

“Country music has incredible narratives about high-drama situations: adventure, crumbling marriages, tragic accidents, murder, and—my favorite high-drama narrative—the cost of ambition.”

Q&A with Nonfiction Contributor Sara Mang

Q&A with Nonfiction Contributor Sara Mang

“I include details that are lived in and lovingly collected because they usher movement throughout a life.”

Carve Review: Permanent Exhibit by Matthew Vollmer

Carve Review: Permanent Exhibit by Matthew Vollmer

For those looking for a personal account of the world we live in today, and one especially through the eyes of the creative writing teacher you had that one time but didn’t get to know well enough, Vollmer’s book offers an eclectic mix of confessional writing, philosophical musings, and interesting reflections on a family, life, and career in progress.

Q&A with Nonfiction Contributor Hannah Michelle

Q&A with Nonfiction Contributor Hannah Michelle

“This recent moment and the moments portrayed in "Sister" remind me that my relationships need not follow the classic scripts of growing up.”

Q&A with Nonfiction Contributor E.M.

Q&A with Nonfiction Contributor E.M.

“In one sense, it’s refreshing to shape the experience into a narrative that brings out the humanity of those involved, but reaching back into that regrettable decade-and-a-half has been a struggle at times as well.”

Q&A with Nonfiction Contributor Chip Livingston

Q&A with Nonfiction Contributor Chip Livingston

“I really wasn’t sure if the essay would work as well on the page, but it’s fun for me to read aloud, and I edited the sentences and lines with that oral delivery in mind.”

Q&A with Nonfiction Contributor Jonathan Starke

Q&A with Nonfiction Contributor Jonathan Starke

"I was captivated by the charisma of the wrestlers, the gaudy costumes, the grandiosity of the ring, the stage, the event, which was such an escape from small-town Iowa, where I was raised."

Q&A with Nonfiction Contributor Melissa Mesku

Q&A with Nonfiction Contributor Melissa Mesku

"The only way I could approach it with any validity was from the perspective I have now: distant, detached, but still able to marvel."

Q&A with Nonfiction Contributor Avery Erwin

Q&A with Nonfiction Contributor Avery Erwin

“Reading slows time down. It puts my brain back together.”